Written in Stone

“You cannot expect stone to be as pliable as clay.”

-Anna Brontë

TAKE 10 WITH EUGENIO ARCANGELI
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TAKE 10 WITH EUGENIO ARCANGELI

Eugenio Arcangeli brings to QuarryHouse not only more than 35 years of experience working with stone but a passion for its beauty. Born in Verona, Italy, from a family deeply rooted in the industry, Eugenio graduated from Milan with a degree in Geometra (a combination of Architecture and Engineering). He has worked with QuarryHouse since 2001 and became the Overseas Project Manager for QuarryHouse Atelier Verona in 2010.

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GROTTOS: PLACES OF ENCHANTMENT
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GROTTOS: PLACES OF ENCHANTMENT

QuarryHouse just completed the monumental restoration and reimagining of a 1920’s Renaissance-style mansion in San Francisco that includes a fanciful stone grotto. Out of respect for the NDA, the dream team of Tucker & Marks, Skurman Architects, and QuarryHouse can not share the magical grotto images. We can visit other places of enchantment.

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QUARANTINE CULTURE: VENICE IN FILM
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QUARANTINE CULTURE: VENICE IN FILM

It is almost Autumn, and typically adults would be returning to work and children to classes with stories of holidays and travel. This year with our new COVID reality, we go back to WFH and home education. QuarryHouse thought we would indulge in a little escapism and travel via film to Veneto, Italy, where we have one of our two stone shops.

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TAKE 10 WITH JEFF CLARK
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TAKE 10 WITH JEFF CLARK

Head estimator, Jeff Clark has been with QuarryHouse for over twenty-three years. The East Coast native came to California for graduate school and never left, acclimating to the San Francisco Bay Area's climate and culture. Jeff's estimates span from small residential jobs to large commercial endeavors with past estimates ranging in value to millions of dollars per project.

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TRAVELS WITH QUARRYHOUSE: FUHOU MANSION
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TRAVELS WITH QUARRYHOUSE: FUHOU MANSION

QuarryHouse recently reminisced about past Global adventures in a pre-Lockdown world. In 2003, a prominent San Francisco architect approached Ed Westbrook with an unusual request to source an abandoned Chinese village, disassemble it, transport the pieces to the US and painstakingly reassemble it as the centerpiece of a Napa Valley vineyard.

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QUARANTINE CULTURE: QUARRYHOUSE READING LIST
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QUARANTINE CULTURE: QUARRYHOUSE READING LIST

With SIP continuing, QuarryHouse has been catching up on our favorite tomes of stone. We pulled out the classic 1924 four-volume complete set of Audels Masons & Builders guide books from our extensive library.

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TAKE 10 WITH ED WESTBROOK
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TAKE 10 WITH ED WESTBROOK

Now that the Shelter in Place order is gradually lifting in California, how has it impacted QuarryHouse and their projects? We checked in with our Co-Founder and CEO, Ed Westbrook, who manages not only a regional staff but also an international one during the pandemic.

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THE COLOR OF LOST SUNLIGHT: COTSWOLD STONE
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THE COLOR OF LOST SUNLIGHT: COTSWOLD STONE

“The truth is that it has no colour that can be described. Even when the sun is obscured and the light is cold, these walls are still faintly warm and luminous, as if they knew the trick of keeping the lost sunlight of centuries glimmering about them.” British writer JB Priestley describing Cotswold Stone.

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WORKING IN STONE
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WORKING IN STONE

Published in 1974, Terkel interviewed over one hundred people whose working days went from the cradle to the grave literally, including a baby nurse and a gravedigger. Along the way, Terkel interviewed a stonemason, Carl Murray Bates, who spoke of stone’s siren call.

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CELEBRATING THE ARTISAN
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CELEBRATING THE ARTISAN

QuarryHouse’s Ed Westbrook is a great admirer of renowned Master Stone Carver, Nicholas Fairplay. The ICAA Artisan Committee which Ed chairs, will be presenting, "Stone Carving Techniques: Architectural Elements," a lecture by the UK born and Continental trained artist.

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VIVA ITALIA!
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VIVA ITALIA!

In Verona, Italy, QuarryHouse's business partner is CITCO, a company combining old-world craftsmanship with innovative modern design. Owners Camiran Rasool and Valentina Fraccaroli create unique collaborative stone works.

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WANDERLUST
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WANDERLUST

October marked the 38th year of The San Francisco Fall Show held at the Festival Pavilion, Fort Mason Center for Arts & Culture. The theme this year was "Wanderlust Around The World With Art, Antiques & Design."

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A PEEK BEHIND THE CURTAIN
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A PEEK BEHIND THE CURTAIN

Our team proudly operates workshops in Richmond, California and Verona, Italy to provide our clients with the finest stonework. Salvador Mata and Hermino Ochoa operate our Richmond facility which features a full complement of equipment ranging from traditional stone carving tools to a computer-controlled milling machine.

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STONE ISN’T SKIN, IT’S BONE
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STONE ISN’T SKIN, IT’S BONE

Metaphors of stone in our language are as common as metaphors of the human body. We are ‘chips off the old block’ insofar as we resemble our parents. When we are in proximity, we are a ‘stone’s throw’ away. When we are in support of each other, we are each other’s ‘rock’; but when we are indifferent to each other, we have a ‘heart of stone’.

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TAKE FIVE WITH CHRISTOPHER ROY
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TAKE FIVE WITH CHRISTOPHER ROY

At QuarryHouse we value our collaborations with designers and builders. One of these is interior designer Christopher Lane Roy of Christopher Roy & Co. A former design principal of Tucker & Marks, Christopher has worked with world-class architects, builders, and artisans for over 20 years.

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CELEBRATING OUR 2018 JULIA MORGAN AWARD
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CELEBRATING OUR 2018 JULIA MORGAN AWARD

Every other year the The Northern California Chapter of The Institute of Classical Architecture and Art (ICAA) hosts the Julia Morgan Awards to celebrate excellence in classical and traditional design. This year, QuarryHouse was awarded for its work of stonemasonry historic restoration performed to the rooftop balustrade, parapet fascia and coping of the Hibernia Bank Building, a key San Francisco landmark.

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FROM VISION TO REALITY: STONE SELECTION
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FROM VISION TO REALITY: STONE SELECTION

We often wonder how the Egyptian pharaohs dealt with their designers when questions arose as to color or texture of temples. We suppose the threat (or promise) of being entombed for eternity in one’s own design had a way of focusing the conversation.

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